Lastly Etwald. It is difficult to describe the indescribable. He was austere in face, like Dante, with hollow cheeks, and a pallid hue which told of midnight studies. If he had passions, they could not be discerned in his features. Eye and mouth and general expression were like a mask. What actually lay behind that mask no one ever knew, for it was never off. His slightly hollow chest, his lean and nervous hands, and a shock of rather long, curling hair, tossed from a high forehead, gave Etwald the air of a student. But there was something sinister and menacing in his regard. He looked dangerous and more than a trifle uncanny. Physically, mentally, morally he was an enigma to the bovine inhabitants of Deanminster and Hurstleigh.,
"It's all right, so long as it's in a book, eh?" he asked. "What a perfect little chameleon you are, Judy Kendall. I don't know whether to take you into the grand surprise that I'm going to spring on these two young ladies, or leave you at the nearest library while I disclose my dark projects. What do you say, Elinor?",
"Why, what about David?".
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